A blog about music and pop culture coming from New York, NY. How original.

Contributors

Andrew Raff
Krikor Daglian

Archives

Tue
Jun
29
2010

Fixing Lost's Final Season

Lost's sixth season felt more aimless than previous ones. in large part, this was probably because the show is far better at raising questions than doing anything else. But the need to preserve a sense of mystery made the pacing of the whole season feel off. Parts of the plot felt completely stagnant, while other elements felt rushed and glossed over. And even though the season contained many good story elements, another pass might have made everything fit together better so that all of the pieces mattered.

And before we get into the details, I'll reiterate that Lost remains one of my favorite shows of all time. So here are a few thoughts about the overall structure of the sixth season and questions the series left unanswered, slapped together after the jump...

Continue reading "Fixing Lost's Final Season" »

Tue
Jun
22
2010

Soil and "Pimp" Sessions

Soil & "Pimp" Sessions is as inscrutably Japanese as natto, but their style of death jazz is a unique combination of bop and badassery:

Tue
Jun
15
2010

The Heavy at Bowery Ballroom

The Heavy brought their US tour to the Bowery Ballroom for the first of two shows in New York City this week and the energy was consistently high. Supplementing their core quartet with loops and samples as well as a pair of backup singers and some Dap King horns, The Heavy tore through a fun, danceable set of songs, closing the set with "How You Like Me Now," which has become a fixture on the airwaves, largely as the soundtrack to a Kia commercial.

The Heavy at Bowery Ballroom

The Heavy at Bowery Ballroom

Besides a deep love of soul music and impeccable influences, The Heavy makes its mark largely on the charisma of frontman Kelvin Swaby, who controls the stage with presence. Even though the group had a lot of energy, I'm not sure that the band grooved less than they might have because of the drum loops and samples that anchored a number of the songs.

The Heavy at Bowery Ballroom

The Heavy at Bowery Ballroom

After a brisk two song encore (closing with the high energy "Oh No, Not You Again"), the band left the stage again with the lights low and the audience applauding for an encore. But after a couple of minutes anticipation the house lights and music came up, indicating that the show was in fact over.

Of all the shows that I've seen over the last decade or so at Bowery Ballroom, this was one of the only ones where the sound was less then impeccable. The room sounded boomier and less crisp than usual. Openers The Black Hollies played with a mix that emphasized the guitar and minimized the vocals and bass. This was all very out of character for Bowery, which is typically the best sounding room in the city.

The Heavy will be back at Bowery on Wednesday, although it is already sold out. More photos follow after the break.

Previously: Heavy Indicia.

The House That Dirt Built: Vinyl CD MP3

Continue reading "The Heavy at Bowery Ballroom" »

Mon
Jun
14
2010

Breaking Baddest

With "Full Measures," Breaking Bad wrapped up its third season confident of its place as the best drama on television all year. With one of the most focused and intense episodes, season three concluded with a bang.

bb-episode313.jpg

Check the temperature of your tea and enter spoiler country after the break...

Continue reading "Breaking Baddest" »

Wed
Jun
09
2010

Lost at the Vilcek Foundation

The Vilcek Foundation hosted an exhibit of items from Lost, including props, costumes and photographs. The gallery played some of Giacchino's score. Here are some photos from the exhibit:

Mr. Cluck and Dharma van

Hatch mural

The Numbers

Faraday's journal

More photos follow after the time skip

Continue reading "Lost at the Vilcek Foundation" »

Wed
Jun
02
2010

Legally Prohibited from Being Funny on Television at Radio City Music Hall

The penultimate show of Conan O'Brien's Legally Prohibited from Being Funny on Television tour sold out Radio City Music Hall last night with an interesting mix of comedy and music. The audience was a mix of real-life enthusiasm against the typical coldness of a New York crowd. Both adoring and jaded, the crowd could be simultaneously under and over-enthusiastic in that way that only New York City crowds tend to be.

The understated comedy highlight of the show, for me at least, was Andy Richter strolling out to the dulcet tones of Eduard Anatolyevich Khil (aka Trolololo Guy) and his narration of an "advertisement" for New Yorks third-best Grey's Papaya ripoff.

IMG_0614.JPG

IMG_0612.jpg

Continue reading "Legally Prohibited from Being Funny on Television at Radio City Music Hall" »

Mon
May
24
2010

Farewell, Craphole Island

Some brief thoughts on the series finale of Lost coming up just as soon as I re-read Cat's Cradle

lost-jackandvincent.jpg

Continue reading "Farewell, Craphole Island" »

Sun
May
23
2010

You All Everybody

Tonight's Lost-related festivities lack the amount of "Previously on Lost" rocking out as desired (that sold out incredibly quickly), so instead it kicked off here at BRR World HQ with a relatively Island-inspired dinner. (With less wild boar than a truly Island-inspired feast might have.)

IMG_0607.JPG

Teriyaki marinated wild salmon with mango, onion, tomato and avocado. Served with asparagus, rice and salad. OK, salmon isn't all that Island-specific, but it paired nicely with the Dharma Initiative branded Merlot.

Watching the clip show, it's pretty clear that Lost is particularly unique in television history. Since having the most expensive pilot in broadcast television history, Lost is one of the last shows to film on 35mm film, rather than HD digital video, and may be the end of an era in large scale production for network television. Aside from The Simpsons, does any other show use a full orchestra score as much? Is anything else on broadcast as ambitious as Lost? On HBO and AMC, Breaking Bad, mad Men, Treme, as well as the forthcoming Boardwalk Empire and Game of Thrones may have comparable levels of ambition. But will any of these ever be as widely watched as Lost?

But what makes Lost so special is the breadth of the depth of the fandom. While it may not be the most watched show on television, it must be the most popular show that has such a high percentage of devoted fans.

After the jump, 10 Favorite Lost episodes (inspired by Todd VanDerWerff's ranking of all 110 episodes at the LA Times.

Continue reading "You All Everybody" »

Wed
May
19
2010

119 Down, One to Go

Lost has always been a show that has posed far more questions than it has answered. The prior seasons have always pulled back the scale of the narrative rather than simply closing out a single story. Let's sit around the fire and discuss some very rough thoughts about the episode after the break...

Dude

Continue reading "119 Down, One to Go" »

Mon
Apr
19
2010

Casting Cars

Breaking Bad is undoubtedly one of the best acted shows on television; led by two-time Emmy-winner Bryan Cranston, Aaron Paul, Anna Gunn, Dean Norris and Bob Odenkirk give some of the best performance on the small screen. The show is one of the best looking with its use of vistas of New Mexico -- different enough from Southern California, Vancouver or New York to be striking. But one of the best, least heralded aspects of the show is how well the production team selects the cars that its characters drive.

Someone's car can say a lot about their personality. A BMW driver is likely to be a bit arrogant, but less so than a Porsche driver. A Volvo owner is concerned with safety. A Prius owner wants to save the environment, while a Hummer owner wants to exhibit his dominion over the environment. A Toyota Camry owner doesn't enjoy driving. Someone who lives in Brooklyn is likely to drive a Subaru or a Mini. Someone from Detroit, something American.

Each of Breaking Bad's characters' choice of cars says something about that character. Walt's Pontiac Aztec was the ugliest car of the early 21st Century. As such, he was probably able to buy it relatively inexpensively (because who really ever wanted n Aztec?) But he likely saw the sense in the practical style of the car. The sound mix of the four cylinder engine and slushbox that the show used, especially in the first season, carries a distinctive sense of patheticness.

Saul Goodman drives a Cadillac, Marie a New Beetle, Hank a new Jeep, and Skyler a classic Jeep. Each of these cars fits the characters perfectly. Of course Gus drives a Volvo. And the Winnebago Meth Lab is as much of a character in the show as any of the other locations or actors.

From tonight's episode, Jesse pulls out of a parking lot in his Toyota wagon with its single windshield wiper is a perfect vehicle for where the character is by the end of this episode.

ep-9-3.jpg